In this course, you will take a modular approach to kilncasting using small, repeating units to create larger models and molds. This not only makes more efficient use of time and materials, but also helps in the development of ideas.

The course will focus on relief casting and use three projects to look at how the modular approach can be used at different stages of the casting process. First, we’ll work with modular models, then silicone molds, and finally investment molds. From these projects, you will produce three small investment molds for casting in glass during the class. You’ll then have a chance to further develop a family of models and molds to take home and use for further work.

During the class, collage techniques will be the primary method of model making, showing that simple materials like cardboard and paper can be utilized to great effect. By contrast, the class will also demonstrate the positive impact digital technology can have on the casting process by increasing accuracy and expediting repetitive tasks. Georgia will bring some laser-cut elements which can be used for our model-making project. We’ll also be using a kit of three-dimensional printed parts to help with mold making. This kit can be purchased for a small charge after the class, if you find it useful.

We will complete at least one casting by Friday morning, allowing us to look at the divestment, coldworking, and display of our pieces. The other two castings should be ready later on Friday, but possibly Saturday morning.

The first three days of the course can be intense, as we need to get our project molds fired by the end of the course. This is certainly possible during the day, but using open studio, especially on Monday evening, will help make the class less pressured.

Though this class is designed with the intermediate student in mind, beginners who have experience with glass in other mediums, or other practical skills, are welcome.